![]() Although Bambi charms us with its portraits of infant animals, Bambi's forest is his natural habitat, and Bambi seems to be partly protected by unseen adult deer. Part of the mystery of existence is wondering why the rest of life can't remain as idyllic.īy comparison, the mother deer in Bambi is almost aloof to her child. Dumbo and his mother represent the perfect human state of unconditional love every viewer recognizes this immediately. It's one of the most idealized mother-baby relationships anywhere, amplified by a 'lullaby' musical theme. Jumbo and her baby communicate solely through facial expressions and affectionate play. Aww - they're made of rubber!"ĭumbo apparently hasn't had enough time with his mother to learn to talk, and she is given only one dialogue line. The other circus elephants shun him and the circus clowns treat him as a punching bag -"Elephants don't have feelings. The helpless Dumbo suffers abandonment and separation. An adorable baby's birth defect makes him a lost soul in a harsh world. ![]() The world presented is cold and merciless, and the story is a succession of extreme emotional states, many of them melancholy. Helen Aberson and Harold Perl's variation on the Ugly Duckling story reminds us of Tod Browning's Freaks. I don't think Dumbo could possibly be made today as children's fare no longer allowed to be this dark. Thanks to the suggestions of the circus mouse Timothy, Dumbo is given a chance to be the patsy in a show with some cruel clowns, but he's still insecure and fearful. Jumbo becomes violent protecting Dumbo from some unruly kids and is locked up. The other elephant ladies, an intolerant bunch, see Jumbo Jr.'s giant ears and rename him Dumbo. Stork (Sterling Holloway) brings the baby that circus elephant Mrs. ![]() Little Dumbo the elephant is a freak and an outcast. An emotional story built on tragedy and pathos, it nevertheless maintains an optimistic quality. Produced on a rushed schedule to compensate for (among other reasons) disappointing returns on more expensive shows like Fantasia, Dumbo has some of Disney's best character creations. Written by Otto Englander, Joe Grant, Dick Huemer from a book by Helen Aberson, Harold Perlĭisney made animated movies that were more artful and sophisticated, but Dumbo is perhaps his most endearing creation. Original Music Frank Churchill, Oliver Wallace Sequence and Animation directors Sam Armstrong, Art Babbitt, Wilfred Jackson, Ward Kimball, Woolie Reitherman, Bill Roberts, Bill TytlaĪrt Direction Don Da Gradi, Dick Kelsey, Ernest Nordli, Ken O'Connor), Herb Ryman, Al Zinnen Rated G.1941 / Color / 1:37 flat full frame / 64 min. At the same time, it remains dang funny, especially the Star Wars riff involving Buzz, an unenlightened doppelganger and the evil Emperor Zurg. It explores some strikingly mature themes related to self-worth, abandonment and letting go the musical montage detailing the heartbreaking backstory of peppy cowgirl Jessie ranks alongside the Up opening for the most emotionally brutal sequence in Pixar history. But it’s far from a rehash, even if it was initially conceived as a straight-to-video cash-grab. On the surface, the story is similar to the original: Woody, Buzz et al find themselves outside the safe confines of Andy’s room and must escape the clutches of a malevolent force – in this case, a greasy toy collector named Al (voiced by Jurassic Park ’s Wayne Knight) – and find their way back home. The second one is where the series starts to devastate us. The first Toy Story was a fun, inventive, hilarious-on-multiple-levels adventure with a simple message about the importance of friendship (and not abusing your toys). □ The 50 best kids movies to watch as a family ✍ The 100 best animated films of all-time In order to sort the Lion Kings from the Mars Need Moms -es, we journeyed into the vast Disney catalogue and ranked the 50 can’t-miss picks for your next family movie night. For every stone-cold classic, there are three direct-to-video sequels you’ve never heard of, some forgotten disasters and most recently a stream of unnecessary remakes. Has it also produced some of the greatest animated movies in history – and a few awesome live-action ones, too – many of which were crucial to the childhoods of multiple generations going back to the 1940s? Also, yes.īut the House of Mouse has produced a lot of stuff, much of it now available on the treasure trove of Disney+ – and to say that even the majority of it is worth your time would be a stretch. Is it an entertainment monolith hell-bent on swallowing the entire world under its massive corporate umbrella? Absolutely. Disney is a prime example of the concept that two things can be true at the same time.
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